The vamp, not the head
Two chords, a slow cycle, small variations in voicing. The part of a tune a band plays under an announcement, kept going for ten minutes.
All genres
Artists by genre
Jazz artistsfor modal hours with no solo.
Yes, and the shelf is empty: no jazz is in rotation yet. What would get a track in is the kind of jazz that stays in the room rather than the kind that takes it over. Modal vamps, a rhythm section on brushes, held chords on Rhodes or piano, and no solo that asks the listener to follow it. Slow, quiet and long, for Creative Flow or Late Shift.
Where it lands in the sessions
What a curator hears as a fit
Brushes and a soft bass
A kit on brushes at conversation level, an upright played under the chords. No ride cymbal driving the time.
Late and slow
Ballad tempos, a dark room. The jazz that fits Late Shift is the last set of the night, after the audience has gone home.
Why tracks get turned down
- Solos. A solo is a story, and stories are followed. Even a beautiful one takes the listener off the page.
- Drum dynamics. Fills, accents and a ride that pushes make the time feel faster than it is.
- A walking bass mixed to lead. At low volume a walking line becomes the loudest and most rhythmic thing in the room.
Before you send
- Record a vamp and stay on it. Change a voicing or a texture every chorus, never the tempo or the energy.
- Mix the drums a few decibels lower than you would for a record. Listen at desk volume and check the ride is almost gone.
- If you play a horn, play long tones under the chords rather than lines. Texture, not melody.
Jazz artists in rotation
Nothing in this genre is in rotation yet. Yours could be the first.
Common questions
Does Music For Work take jazz?
Yes, instrumental jazz that holds one mood without solos or drum dynamics. Nothing is in rotation yet, so the first fit will be the first jazz on the site.
Is a saxophone or trumpet allowed?
Yes, as texture: long tones, low, under the rhythm section. A horn that carries a melody or solos reads as a lead, and leads pull attention.
What tempo works?
Ballad tempos. Creative Flow runs 72 to 90 BPM, Late Shift 58 to 70; a slow swing that reads at half time is fine.
Would a jazz trio playing softly for an hour fit?
Very likely. Send a live recording, a private link is fine, and a curator plays it during a real work block.
Send your jazz.
Two or three links, a square photo, one line about how you made them. A curator listens end to end and answers within seven days.